For over six decades, the iconic Chapel of the Bells on the Las Vegas Strip has been a beacon for whirlwind romances and spontaneous unions. With its distinctive pink neon glow and a flat rate of $100, it’s a venue that has witnessed countless vows, even featuring in Hollywood films like Indecent Proposal and National Lampoon’s Vegas Vacation. A-listers such as Leslie Nielsen, Mickey Rooney, and Beverly D’Angelo have all said “I do” within its walls.
However, one significant name, a globally recognised artist whose anonymity is as famous as his art, had his Vegas moment largely undocumented until now. The multimillionaire British graffiti artist, known only as Banksy, quietly celebrated the 20th anniversary of his Las Vegas wedding earlier this year.
The question of Banksy’s true identity has once again captured global attention following a year-long investigation by Reuters, which confirmed widespread speculation that the artist is, in fact, Robin Gunningham. This isn’t the first time Gunningham’s name has been linked to Banksy; The Mail on Sunday first reported this connection back in 2008. While Reuters’ findings may have offered further corroboration, they also unearthed intriguing new details, including a signed confession following Gunningham’s arrest in New York in 2000 for billboard vandalism.
The Chapel of the Bells, set against the dazzling backdrop of Elvis impersonators and glittering casinos, was the chosen location for the spray-can wielding satirist and activist’s wedding to his girlfriend, political researcher Joy Millward. The ceremony took place on January 2, 2006. State of Nevada marriage records, now obtained, reveal that Banksy, already a globally recognised figure under his pseudonym, used his birth name, Robin Gunningham, for the official proceedings.
However, the artist soon began to distance himself from his given name, adopting the far more ubiquitous alias of ‘David Jones’. It is under this decidedly more prosaic moniker, one of the most common name combinations in the UK, that he is known by neighbours in the picturesque rural Somerset village where he and the former Miss Millward now reside. The couple shares a grown-up daughter.
Ironically, given his penchant for discreetly altering public spaces, Banksy, also known as Mr. Gunningham and Mr. Jones, is fiercely protective of his own privacy. Respecting this, the exact location of his home remains undisclosed. However, it can be revealed that his comfortable, middle-class existence stands in stark contrast to the carefully crafted, globally recognised edgy persona he projects.
Instead of the gritty inner-city landscapes he often depicts and works within, Banksy now inhabits the heart of the ‘Somerset golden triangle’ – an area renowned for its high property values, driven by investment from luxury venues such as The Newt, Babington House, and Hauser & Wirth.
The village where the ostensible Mr. and Mrs. Jones live is a quintessential English idyll. Their Grade II listed detached home is nestled amongst winding lanes connecting stone cottages, a charming country pub, a smart general store and post office, and an historic church.
To his neighbours, he is simply ‘David’, and most appear blissfully unaware of his true identity. Over his 12 years of residency, ‘Mr. Jones’ has refrained from redecorating any local walls with his signature stencilled imagery. Instead, he is more often glimpsed tending to his vegetable patch or caring for chickens in his backyard coop.
He purchased the attractive property in 2014 from a fellow artist and has made minimal alterations, adhering to its listed status, beyond essential upkeep and the agreed removal of some overgrown trees. He is occasionally spotted walking through the genteel village, typically sporting sunglasses, but his public profile remains deliberately low-key.
Perhaps the only hint that ‘David’ is more than just an ordinary resident are the imposing security gates and CCTV cameras at his home – a touch of irony, considering his frequent artistic critiques of surveillance culture. Despite his considerable wealth, Mr. Jones eschews ostentation. He and his wife drive unassuming SUVs, and his personal style reflects his enjoyment of gardening rather than any connection to his Las Vegas past.
While his immediate neighbours are predominantly elderly and likely unfamiliar with Banksy’s art, a rumour persists among younger parishioners about a local connection.
Spanish private detective Francisco Marco, who has extensively researched Banksy, was instrumental in tracing the artist to this West Country village, located a mere 50-minute drive from his native Bristol. Marco highlights the Vegas wedding as a pivotal piece of evidence connecting the young public schoolboy to the celebrated street artist and the Somerset homeowner.
“When you investigate someone, one of the most revealing documents is their marriage certificate – these are public records,” Marco stated recently. “I discovered that Robin Gunningham married in Las Vegas in 2006. Las Vegas is a classic destination for discreet, quick weddings, ideal for someone who wants to leave as little trace as possible. The interesting thing is that at that time, Banksy was already hugely famous – he had just held his ‘Barely Legal’ exhibition in Los Angeles – but the marriage certificate appeared under his real name, Gunningham, not under any alias. That gave me a key piece of the puzzle.”
Marco was then able to pinpoint Banksy’s residence by cross-referencing real estate and documentary evidence with the aliases he had identified. He describes the property as “discreet, rural, and well-protected. I call it a ‘bunker’ because the security is remarkable for a house in the English countryside.”
He added, “In the area, they are known as Mr. and Mrs. Jones. They lead a quiet and discreet life. I know he regularly meets with other painters and artists in the area, and I assume they know perfectly well who he is, but they’re part of that inner circle that has kept the secret for decades. That environment has been crucial in allowing Gunningham to continue creating undisturbed.”
Last week’s investigation also brought to light a 26-year-old New York police report, identifying Gunningham as the individual arrested in 2000 for defacing a Marc Jacobs billboard. Documents suggest he later admitted to making a “humorous adjustment” to the advertisement after a night of drinking.
Further investigations revealed that Gunningham travelled internationally under the name David Jones, including a trip to Ukraine, where Banksy murals subsequently appeared. Immigration records indicate that ‘Jones’ departed Ukraine in October 2022, on the same day as Robert del Naja, a founding member of the Bristol trip-hop group Massive Attack and a long-time associate of Banksy. Crucially, the date of birth on ‘Jones’s’ passport matched that of Gunningham’s documentation.
The Mail on Sunday first exposed Banksy’s identity 18 years ago, publishing a photograph of the artist with a spray can at his feet, taken in Jamaica in 2004. This newspaper also traced Gunningham’s former schoolmates at the prestigious Bristol Cathedral School, who corroborated his identity and recalled his early interest in graffiti. His subsequent move from Bristol to Hackney in London coincided with the artist’s rise.
Banksy, once recognised by Time magazine as one of the world’s most influential people, is now estimated to be worth over £50 million. His artwork, “Love is in the Bin,” famously partially shredded at a Sotheby’s auction in 2018, later sold for an astonishing £18.58 million. He emerged from Bristol’s vibrant underground art scene in the 1990s, a period marked by a burgeoning graffiti culture and a thriving music scene, particularly with trip-hop bands like Massive Attack and Portishead. His distinctive stencil technique was developed partly to enable rapid work and evade detection by authorities.
Despite the mounting evidence and public speculation, Banksy himself has maintained his characteristic silence regarding his true identity, declining to comment on press reports. His lawyer has contested some details from the Reuters investigation, and his representatives have cautioned that attempts to identify him could endanger the artist and disrupt his creative process. There remains a prevailing suspicion that a full revelation of his real-life circumstances could significantly devalue his work by dismantling the mystique of his enigmatic creator.
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